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Rebecca Cummins | rcummins@u.washington.edu
MA University of New Mexico
PhD University of Technology, Sydney, Australia
Education
|
| 2002 |
Doctorate in Creative Arts, Faculty of Humanities and Social Sciences, University of Technology, Sydney, NSW, Australia.
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| 1982 |
Master of Art, University of New Mexico, Albuquerque, NM |
| 1979 |
Bachelors of Fine Art and Bachelor of Art, Education, University of Northern Iowa, Cedar Falls, IA |
| Solo Exhibitions (includes commissioned exhibitions) |
| 2003 |
The University of Washington Summer Arts Festival |
| 2002 |
The University of Washington Summer Arts Festival, Seattle, WA
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| 2001 |
Bergen Hall, Savannah College of Art and Design,
2001 Society for Photographic Education National Conference, Savannah, GA
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| 2000 |
Elastic Gallery, Sydney, NSW. Aust.
Australian Centre for Photography, Sydney, NSW
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| 1998 |
Hull Time-Based Art at Sewerby Hall, Bridlington, UK. (Public Sitings UK Year of Photography and Electronic Image.) |
| 1996 |
Tamworth City Gallery, Tamworth, NSW, Australia |
| 1995 |
Dubbo Regional Gallery, Dubbo, NSW, Australia |
| 1994 |
Commission/exhibition, Cambridge Darkroom Gallery, Cambridge. In conjunctions with Signals: 1994 Festival of Women Photographers in the UK Blanden Memorial Art Gallery, Ft. Dodge, Iowa |
| 1993 |
Artspace, Sydney, NSW, Aust. |
| 1991 |
First Draft WEST, Sydney, NSW, Aust. |
| 1990 |
Signalbox Gallery, Museum Station, Sydney, NSW, Aust. |
| 1988 |
Photospace, Canberra School of Art, Canberra, ACT., Aust.Performance Space, Sydney, NSW., Aust. |
| 1987 |
Praxis Gallery (ARX'87), Fremantle, WA., Aust.
Avago Gallery, Tin Sheds, University of Sydney, Sydney, NSW. |
| 1985 |
Harkness Center for the Arts, New York, NY.
W.O.W. 330, New York, NY., USA. |
| 1984 |
Dance Theatre Workshop Gallery, New York, NY |
| 1983 |
Orange Coast College, Costa Mesa, CA.
University of Calgary, Alberta, Canada. |
| 1982 |
University of Colorado, Boulder, CO. |
| 1981 |
Education Gallery, San Francisco Art Institute, San Francisco, CA. Sioux City Art Centre, Sioux City, IA. |
| 1979 |
Gallery 217, University of Northern Iowa, Cedar Falls, IA. |
| Group Exhibitions / Commissions |
| 2004 |
I Space, University of Ilinois at Urbana-Champaign, Chicago, Ill. |
| 2003 |
Yuma Symposium Exhibition, Main St. Gallery, Yuma, Arizona |
| 2002 |
ConVerge: where art and science meet, |
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The 2002 Adelaide Biennial of Australian Art, Adelaide. ICOLS (International Corporation for Lost Structures), Museum of Contemporary Art, Sydney, Australia. ICOLS [art meets archive], Juxtaposed with State Archives Collection, Sydney Records Centre, Sydney, NSW, Aust. |
| 2001 |
School of Art Faculty Exhibition, Jacob Laurence Gallery, University of Washington, Seattle, WA. |
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From Pinhole to Pixel, Stills Gallery at Herman Black Gallery, Uni. of Sydney |
| 2000 |
Triggered, First Draft, Sydney, NSW, Aust. |
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Tower of Babylon, Suburbia, Museum of Sydney, Sydney, NSW. |
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The Politics of Fear, Artspace, Sydney, NSW. |
| 1999 |
Trigger, First Draft, Sydney, NSW, Aust. 700 Million Miles an Hour: Journey Through the Centre of the Earth, commissioned for Ideal Works, Published by Experimental Art Foundation, Adelaide, SA. |
| 1998 |
The Canberra Sculpture Forum, Canberra, ACT. Sculpture by the Sea, Sydney, NSW. Root, Hull Time-Based Art, Hull, UK. (Public Sitings: UK Year of Photography and Electronic Image.) Commission. |
| 1997 |
Lawyers, Guns & Money,Experimental Art Foundation, Adelaide. Envisioned- Rebecca Cummins and Rosemary Laing, Monash Uni., Melbourne, Vic. |
| 1996 |
In Stable Image atBimbi, WW W site, http://www.ozemail.com.au/-bimbi, Performance Space launch. Compressions 100/Sydney, collaboration with performersTess DeQuincy and Stuart Lynch, Hyde Park Barracks, Sdney, NSW.
Tamworth by Bus, Tamworth City Gallery, Tamworth, NSW. From Strength and Hope, Amnesty International, The Gunnery, Sydney ' '95 and Albury Regional Art Centre, Albury, NSW, '96. |
| 1995 |
Commision/exhibition. Down the Drain, Fine Rats Internat’l, Birmingham, UK. Artful Park II. Centennial Park Authority, Sydney, NSW, Aust. Art Aids Link, International Computer Network Exchange. Commission, Internet exhibition, organized by Central London College and Cambridge Darkroom Gallery, UK., http:///artaids.dcs.qmw.ac.uk:8001/entrance/entrance.html |
| 1994 |
International Symposium for Electronic Art Exhibition, The Museum of Contemporary Art, Helsinki, Finland. Maximum Exposure, The Photographer's Gallery, London , The Museum of
Science and Industry , Manchester, England. |
| 1993 |
Luminaries, Monash University Gallery, Fifth Australian Sculpture Triennial Associated Exhibition, Melbourne, VIC, Aust. Via Crucis Australis (An Australian Journey of the Cross), Sydney Metropolitan Opera and ART HOTLINE, Museum of Contemporary Art, Sydney, NSW, Aust. |
| 1993 |
Nature and Art: Survival in a Technological Age, Blanden Memorial Art Museum, Ft.Dodge, IA, USA. |
| 1992 |
Zylvia Auerbach/Rebecca Cummins, 106 Kassenrollen, Frankfurt, Germany |
| 1991 |
Frames of Reference: Aspects of Feminism and Art, Artspace atThe Wharf, Sydney, NSW.
First Draft 1985-1991, First Draft WEST, Sydney, Aust. |
| 1990 |
The Ready-Made Porcelain, Artspace, Sydney, NSW, Aust. |
| 1989 |
Passion, The Bulletin/Mumm Cordon Rouge Photographic Award Exhibition, Rex Irwin Woolahra, NSW., Aust. Tower of Babel, organised by Vivienne Binns, Frank Watters Gallery, Sydney, Bellos Gallery, Brisbane, Queensland. Bald Archie Portrait Prize (Most Humorous Award), Artspace, Sydney, NSW., Aust. |
| 1988 |
Tower of Torture, Tin Sheds, University of Sydney, Sydney, NSW, Aust. |
| 1987 |
Colorado Open, Camera Obscura Gallery, Denver, CO., USA. Environments: Real and Imagined, University of Northern Iowa Gallery of Art, Cedar Falls, IA., USA. |
1985
83
81 |
Contemporary Photoworks, Albuquerque United Artists, Albuquerque, NM., USA. |
1984
83
81 |
New Photographics, Central Washington State University, Ellensburg, WA., USA. |
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1984
82 |
Alternatives, University of Ohio, Athens, OH., USA. M.A. Graduating Exhibition, Art Museum, University of New Mexico, Albuquerque, NM., USA. |
| 1983 |
University of New Mexico Traveling Exhibit: Rudolph E.Lee Gallery, Clemson University, Clemson, SC. University Galleries, University of Wisconsin, Superior, WI. Art Gallery, Modesto Junior College, Modesto, CA., USA. Photographic Gallery, Odessa College, Odessa, TX., USA. Teaching Gallery, Uni. of New Mexico, Albuquerque, NM. 3rd Fl. Gallery, No. Kentucky Uni. Highland Heights, KY. Educational Galleries, Internat'l Center for Photo., NY,NY. William Whipple Gallery, SW State University, Marshall, MN Conceptions Southwest, Student Association Gallery, University of New Mexico, Albuquerque, NM., USA. |
| 1983 |
Centennial Invitational Alumni Art Show, University of Northern Iowa, Cedar Falls, IA., USA. Hand-painted Photographs from the Permanent Collection, Art Museum, University of New Mexico, Albuquerque, NM. |
| 1981 |
New Photographics Traveling Exhibition: College of the Redwoods, Arcata, CA., USA. East Tennessee University, Johnson City, TS., USA. Evergreen State College, Olympia, WA., USA. Iowa Art Salon, Brunnier Galleries, Iowa State University, Ames, IA. |
| Selected Awards |
| 2003 |
Seattle Arts Commission, Montlake Library, Seattle, WA. Interdisciplinary Research Grant, Oberman Center, University of Iowa, Iowa City, IA. Donald E. Peterson Endowed Fellowship for Excellence, College of Arts and Sciences, University of Washington, Seattle, WA. |
| 2000 |
Teaching and Development Fund Grant, Sydney College of the Arts, University of Sydney, Sydney, Aust. |
| 1998 |
Australia Council, Visual Arts/Craft Board New Works Project Development
Grant, Australia Council for the Arts. |
| 1996-97 |
Australian Postgraduate Award, University of Technology, Sydney |
| 1995 |
Art, Research & Development Grant, ANAT (Australian Network for Art and Technology), Adelaide, SA. |
| 1994 |
Maximum Exposure Competition/Ideas Category Award, The Photographer's Gallery, The Times Magazine, London, UK. The British Council Visitation Grant for Australian Researchers. Sydney College of the Arts Research Grant, University of Sydney. University Research Grant, University of Sydney, Sydney, NSW. |
| 1993 |
Women and Art Scholarship, New South Wales Ministry for the Arts, Sydney College of the Arts Research Travel Grant, University of Sydney, Sydney. Art, Research and Development Grant, ANAT (Australian Network for Art and Technology), Adelaide, SA. National Staff Development Grant, University of Sydney, Sydney. |
| 1992 |
Personal Development Leave /Research Travel Grant, Uni. of Sydney. Australia Council, Visual Arts/Craft Board Overseas Development Grant/1993-94 |
| 1991 |
London Studio Residency. Pat Corrigan Artist’s Exhibition Grant, NAVA (National Advocacy for the Visual Arts), Sydney, Australia. |
| 1984 |
Artist's Exhibition Grant, Artist's Space, New York, NY. |
| Selected Publications and Catalogs |
| 2003 |
M-1000, "SCI-ART: The Science and Psychology of Color in Artwork", NY Arts Magazine, Vol. 8, No. 1, January
2003, http://nyartsmagazine.com/72/sciart.htm |
| 2002 |
Wendy Walker, "Converge: Where Art and Science Meet", The Advertiser, 3.4.02. Andrew Bock, The Age Saturday Extra, Melbourne, Victoria, November 8, 2002. Stephanie Radock, "Now I Talk Like This", Australian Art Monthly, 4.2002:9-12, cover image.
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Converge: where are and science meet, cat. The 2002 Adelaide Biennial of Australian Art, Adelaide. |
| 2001 |
"From Pinhole to Pixel", Sandy Edwards, cat., Stills Gallery at Sir Herman Black, 2001.
"From Pinhole to Pixel", The University of Sydney News, University of Sydney, 2001:7.
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| 2000 |
Leah McLeod, "Elastic Contemporary Art Projects", Globe E Journal of Contemporary Art, ed.by Blair French, Pub. by Monash University, Melbourne, VIC. 12.2000. |
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http://www.arts.monash.edu.au/visarts/globe/index.html "Artists’ Pages: Rebecca Cummins", Photofile #60, 8.00, Australian Centre for Photography, Sydney. 42-43. |
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"All Eyes Heavenward", Robert McFarland, Sydney Morning Herald, 22.3.00, p 12. |
| 1999 |
Photo Files, ed. By Blair French, Australian Centre for Photography, 1999:38-47. |
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Ideal Work, published by the Experimental Art Foundation, Adelaide, SA, 1999. |
| 1998 |
Sculpture by the Sea, Sydney, 1998. Catalogue. "Canberra Sculpture Forum", Deb Brown, Art Monthly, 5.1998.
1998 Canberra Sculpture Forum, Catalogue, Canberra, ACT. 1998 "rebecca cummins and rosemary laing: envisioned", Anne Marsh, Eyeline, #35,97/98
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| 1997 |
Lawyers, Guns and Money, cat. Experimental Art Foundation, Adelaide, SA, 1997. Envisioned: Rebecca Cummins and Rosemary Laing, cat. Monash Uni. Gallery, 1997 |
| 1995 |
Immersed in Technology, ed. Mary Ann Moses, essay by Erkki Hutamo, MIT Press, 1995 |
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"Phantasmagoria", Rebecca Cummins, Photofile #48, Australian Centre for Photography, 8.1996:38.
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Down the Drain: An exhibition which explores those spaces no one ever likes to talk about, (catalogue), Fine Rats International, Birmingham, UK. 7.1985. |
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"The Art Aids Link", Net, #5, 4.1995:46. |
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"AidsLINK", Camerawork, London, UK. 3.1995. |
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"Spreading Awareness: Art Aids",Wired, 7/8.1995:80. |
| 1994 |
"ISEA 94, Interaction of colour and cybernauts", Form, Function, The Finnish Society for Art and Design/Design Forum Finland, Helsinki, Finland. #3, 1994:31. |
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"Maximum Exposure", London Times Magazine, London, England, 4.7.1994. |
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International Sumposium on Electronic Art Catalogue, University of Design, Helsinki, Finland. |
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"The Family Shoots", Cambridge Times, 28.7.1994. |
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"Artists and Guns", Christopher Chapman, World Art, Sydney, Aust., Summer 1994. |
| 1993 |
"Facing Texts Striking Resemblances", ARM (Art Reading Material), ed. by George Alexander, Perth Institute of Contemporary Art, 10.1993. |
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Luminaries, catalogue, Monash University Gallery, Melbourne, VIC, Sept. 1993. |
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To Fall Standing, catalogue essay by Paul DeMarinis, Artspace, Sydney, NSW, Aust. |
| 1991 |
"The Politics of Metaphor, Frames of Reference: Aspects of Feminism and Art", Meredith Morse, Eyeline, Brisbane, Qld, 12.1991. |
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Frames of Reference: Aspects of Feminism and Art, cat., Artspace, Sydney, NSW, 1991. |
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"Between the Acts: Rebecca Cummins", Brigette Carcenac de Tourne, Photofile, Australian Centre for Photography, Sydney, NSW, No. 33, 10.1991:30-35. |
| 1988 |
"Self-portraits: Video and Photography", Lisa Waller, Canberra Times, 25.8.1988. |
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"A Pilgrim of the Absolute and Other Subjects", Christopher Allen, Australian and International Art Monthly, Fine Art Press, Ltd., Sydney, NSW. Issue 12, 7.1988. |
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"Self-Imaging: Portraits by Families and Students", Carole Hampshire, East Sydney Morning Herald, 8.5.1988. |
| Major Teaching Affiliations |
| 2001-present |
School of Art, University of Washington, Seattle, Washington.
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| 1987-2001 |
Sydney College of the Arts, University of Sydney, NSW, Australia
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