|
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| Solo Exhibitions |
| 2002 |
Held Still, Dolby Chadwick Gallery, San Francisco, CA |
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FotoFest Interntional, 1113 Vine Street, Houston TX |
| 2001 |
Humboldt State University First Street Gallery, Eureka, CA |
| 2000 |
Arts Festival 2000, University of Washington, Seattle, WA |
| 1997 |
Kitteridge Gallery at the University of Puget Sound, Tacoma, WA |
| 1994 |
The Art Museum at the College of Wooster, Wooster, OH |
| 1993 |
Fine Arts Center Galleries, University of Rhode Island, Kingston, RI |
|
Jayne H. Baum Gallery, New York, NY |
| 1992 |
Spaces Gallery, Superior Viaduct, Cleveland, OH |
| 1990 |
Ohio Selections, Cleveland Center for Contemporary Art, Cleveland OH |
| 1989 |
Jayne H. Baum Gallery, New York, NY |
| 1987 |
Jayne H. Baum Gallery, New York, NY |
| 1985 |
New Center for Contemporary Arts, Santa Fe, NM |
|
Ruth Ramberg Gallery, Albuquerque, NM |
| 1984 |
Linda Durham Gallery, Santa Fe, NM |
|
UNM Experimental Theatre, Installation/Performance, Albuquerque, NM |
| 1983 |
Albuquerque First National Bank, Changing Installation, Albuquerque, NM |
| 1982 |
AUA Downtown Center for the Arts, Installation-Performance, Albuquerque, NM |
| 1982 |
Photogenesis Gallery, Albuquerque, NM |
| 1981 |
Wisconsin Union Theatre Gallery, University of Wisconsin, Madison, WI |
| 1980 |
American Cultural Center, Yaoundé, Cameroon, West Africa |
| 1979 |
Three-Dimensinal Drawings, Susan Kohn Gallery, St. Paul, MN (2 person show) |
| Selected Group Exhibitions |
| 2002 |
Contemporary Northwest Women Phtographers, Frye Art Museum, Seattle, WA |
| 2002 |
Fugitive Testimony, Solomon Fine Art, Seattle, WA |
| 1999 |
Northwest Bookfest Book Arts Exhibition, Convention Center, Seattle, WA |
| 1998 |
Women in Media Arts, Pacific Lutheran University, Tacoma, WA |
| 1997 |
Ellen Garvens and Shawn Brixey, University of Washington Jacob Lawrence Gallery,
Seattle, WA |
| 1996 |
Certain Uncertainties: Chaos and the Human Experience, Bowdoin College Museum of Art, Brunswick, ME (show included works by Joseph Cornell, Jasper Johns, Sol LeWitt, Ed Ruscha, Aaron Siskin, John Pfahl, Frederick Sommer |
| 1995 |
New Faculty Artists, Jacob Lawrence Gallery, University of Washington School ofArt, SeattleWA |
| 1994 |
Making Pictures, Caldwell College, Caldwell, NJ |
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FotoFest V, The Global EnvironmentThe Fifth International Festival of Photography, Houston, TX (show included works by Toshio Shibata,Peter Goin, Barbara Norfleet, Patrick Nagatani) |
| 1993 |
In Camera, Museum of Fine Arts, New Mexico, curated by Eugenia Parry Janis, Santa Fe, NM; traveling(show included works by Diane Arbus, Bill Brandt, Brassi, Walker Evans, Robert Frank, Sophie Calle, Tina Barney, Adam Fuss, Lee Friedlander) |
|
Off The Wall, Jayne H. Baum Gallery, New York, NY
(show included works by Bill Barrett, Connie Hatch, John Schlesinger) |
|
New York/New Mexico, Graham Gallery, Albuquerque, NM |
| 1992 |
Summer Group Exhibition, Jayne H. Baum Gallery, New York, NY |
| 1991 |
Contemporary Visions: Northern Ohio, Images Gallery, Cincinnati, OH |
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At One/At War With Nature, Pratt Manhattan Gallery and Schafler Gallery,Pratt Institute, NY(show included works by John Baldessari, Nancy Burson, Joel Peter Witkin) |
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Summer Group Show, Jayne H. Baum Gallery, New York, NY |
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Approaches to Drawing, Stark Campus Art Gallery, Kent State University, Canton OH |
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Annual Acquisition Exhibition, Weatherspoon Art Gallery, Greensboro, NC |
| 1990 |
American Art Today; New Directions, curated by Dahlia Morgan, The Art Museum at Florida International University, Miami, FL (show included works by Sabina Ott, Elaine Reichek, Jennifer Bolande, Suzanne Bocanegra) |
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Constructed Spaces, Photographic Resource Center at Boston University and Boston Architectural Center, Boston, MA |
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Highlights, Jayne H. Baum Gallery, New York, NY |
| 1989 |
Alcan-Lavalin Aluminum in Art Exhibition, Alcan-Lavalin Co., Montreal, Quebec, Canada (show included works by Robert Roshenberg, Frank Stella, Magdalena Abakanowicz) |
|
Fantasies, Fables, and Fabrications: Photo-works from the 1980's, University of Massachusetts Herter Art Gallery, Amherst, MA; traveling to:
Delaware Art Museum, Wilmington, DE
Lamont Gallery, Phillips Exeter Academy, Andover, MA
University of Missouri, Gallery of Art, Kansas City, MO
Museum of Contemporary Photography, Antwerp, Belgium
Museum of Contemporary Art, Oostende, Belgium
Museum of Contemporary Art, Florence, Italy
(show included works by John Balessari, Chuck Close, Jo Ann Callis, Cindy Sherman, David Hockney, Robert Heinekin, Joyce Niemanus, Joel Peter Witkin)
|
| 1988 |
New Photography, R. H. Love Gallery, Chicago, IL |
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Photography on the Edge, The Haggerty Museum of Art, Marquette University, Milwaukee, WI(show included works by Eileen Cowin, Hope Sandrow, Starn Twins, Sandy Skogland, Laurie Simmons, Andy Warhol, Joel Peter Witkin) |
| 1987 |
Poetic Injury, the Surrealist Legacy in Post Modern Photography, Alternative Museum, New York, NY (show included works by Lucas Samaras, Barbara Ess, Duane Michaels, Ruth Thorne-Thomsen, Willian Wegman, Arthur Tress, Krzysztof Wodiczko) |
|
Drawing Toward Black, Jayne H. Baum Gallery, New York, NY (show included works by Sue Coe, Arnulf Rainer, Richard Serra, Joseph Nechvatal) |
| 1986 |
Extended Time, Los Angeles Center for Photographic Studies, Los Angeles, CA |
|
The Dividing Line — Defining Space, Marcuse Pfeifer Gallery, New York, NY |
| 1985 |
Words and Images,Los Angeles Center for Photographic Studies,,Los Angeles, CA |
| 1984 |
Sound-Off, University of New Mexico Experimental Theatre, Installation and Performance, Albuquerque, NM |
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Signature, University of New Mexico Fine Arts Museum, Albuquerque, NM |
| 1982 |
Intentional Wanderings, Elvehjem Museum of Art, Madison, WI |
| Publications (articles and reviews) |
| 2001 |
Batchen, Geoffrey, Each Wild Idea, Pages 111-114 , The MIT Press. |
| 1999 |
Batchen, Geoffrey, Pondering Criticism, Creative Camera, reproduction. Dec 1999. |
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Constructing Intelligibility, SF Camerawork, Vol 26 No.2 Fall Winter 99, pg. 5. Reproduction |
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Batchen, Geoffrey. From Genre to Generic, Art on Paper, Jan Feb 99, p.48 reproduction |
| 1998 |
Batchen, Geoffrey. Ellen Garvens Morphic Resonance, Creative Camera, Oct/Nov, London England. Pages 30 –35 |
| 1995 |
Messer, William. FotoFest , The New Art Examiner, Chicago, IL. March. reproduction |
|
Brown, Peter. From the Edge- Images of the World, SPOT, Houston Center for Photography, spring issue, Houston, TX |
| 1993 |
Aletti, Vince. Voice Choice, The Village Voice, New York, NY, March 9 |
|
Schwabsky, Barry. New York Reviews, Sculpture, Washington, DC, July-August, Vol. 12, No. 4, p. 54, b&w reproduction |
| 1992 |
Photographs at Spaces, Cleveland Plain Dealer, May |
| 1991 |
Aletti, Vince. Voice Choice, The Village Voice, New York, NY, August 13, p. 100 |
| 1991 |
Handy, Ellen. Photography’s History/History’s Photography: Some Art Today and It’s Sources, Photography Center Quarterly #48, “Stealing From the Past,” Vol. 12, No. 3 1991, CPW, Woodstock, NY, p. 16 & 18, reproduction |
| 1990 |
Aletti, Vince. Voice Choice, The Village Voice, New York, NY, January 9, color reproduction. |
| 1990 |
Mahoney, Robert. New York Reviews, Arts Magazine, New York, NY, March |
| 1990 |
Wise, Kelly. When Photographers Create Their Own Fictional Worlds, The Boston Globe, Boston, MA, April 21 |
| 1989 |
Carroll, Charles Francis, Photo Explorations of the ’80s, The Valley Advocate, MA, October 16 |
| 1986 |
Grundberg, Andy. Critics’Choices, New York Times, New York, NY, June |
|
Review, Photo Japan, July |
| 1985 |
Zwinger, Susan. Black is Beautiful, The Santa Fe Reporter, Santa Fe, NM, November 29 |
| Publications (catalogues books) |
| 2000 |
Fontanel, Humboldt State University, Eureka, CA |
| 1997 |
Contact Print, Artist Book, Fong and Fong Printers, Sacramento CA |
| 1994 |
FotoFest, The Fifth International Festival of Photography, Houston, TX |
| 1991 |
American Art Today: New Directions , Florida International University Art Museum, Miami, FL |
| 1989 |
Fantasies, Fables and Fabrications: Photo-works from the 1980's, text by Trevor Richardson and Michael Coblyn , University of Massachusetts Herter Art Gallery, Amherst, MA |
|
Artluminum, text by Rudi MeyerAlcan-Lavalin Co., Montreal, Canada |
| 1988 |
Photography on the Edge, text by Curtis Carter,The Haggerty Museum of Art, Marquette University, Milwaukee, WI |
| 1987 |
Poetic Injury, the Surrealist Legacy in Post Modern Photography, text by Rosalind Krauss, Roger Denson, Suzaan Boettger, Alternative Museum, New York, NY |
|
Grants, Honors |
| 2000 |
Artist Trust/Washington State Arts Commission Fellowship ($5,500) |
| 1997 |
Artist Trust Project Grant, Artist Trust Seattle, WA ($1200) |
| 1996 |
Royalty Research Fund Grant, University of Washington ($22,000) |
| 1990 |
Oberlin College H.C. Powers Travel Grant for research in Egypt ($8,000) |
| 1986 |
National Endowment for the Arts, Visual Artists Fellowship Grant, Washington, DC ($5,000) |
1979
1980 |
Fulbright-Hayes Scholarship for independent research in Cameroon, Africa ($18,000) |
|
Public Collections |
|
Museum of Modern Art, New York, NY |
|
Houston Museum of Fine Arts, Houston, TX |
|
Allen Memorial Art Museum, Oberlin, OH |
|
Teaching Affiliation |
| 1994- |
Associate Professor of Art, University of Washington, Seattle, WA |
1990-
1994 |
Assistant Professor of Art, Oberlin College, Oberlin, OH |
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