Submitted by Jeanette Mills on

About

MONDAY is a limited-edition journal focused on critical art writing in the Pacific Northwest. Published twice a year by the Jacob Lawrence Gallery at the University of Washington School of Art + Art History + Design, it is a platform to support emerging and established critical voices and to help spur new ideas.

Each volume of MONDAY is thematically driven, highlighting artists’ writings alongside other diverse perspectives on a particular topic. This volume is entitled 21st Century Black Feminisms, and it was guest edited by C. Davida Ingram. There are 250 bound copies.

Table of Contents

  • C. Davida Ingram, There is Prophecy in the Bark of a Dog: Sketches of Black Feminist Poetics
  • Kimberly Crutcher, Musing of Black Bear
  • Alexis Pauline Gumbs, black feminist metaphysics (aka breathing)
  • Bryce Henson, Marielle Presente: The Directionality of Black Feminist Praxis in the African Diaspora
  • Neesha Powell-Twagirumukiza, Why Black Art is Inherently Political
  • Christopher Paul Jordan, Poems
  • Britta Johnson and dk pan, C. Davida Ingram, Britta Johnson, and dk pan discuss When I Rub the Dead Skin of the Thing against Me I Find I am Soft, Brown and Human
  • C. Davida Ingram, Postscript

Copies

Volume 2 of MONDAY is no longer available for purchase online. A limited number of free copies can be picked up in the Jacob Lawrence Gallery, while supplies last. Please email the gallery to inquire about inventory availability. 
 

Go to Jacob Lawrence Gallery — Journal webpage.