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"Therapeutic Limb Hypothermia for the Treatment of Traumatic Acute Limb Ischemia" (2024) |
Jason O. Germany |
Industrial Design |
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The Miraculous Descent of Amida Buddha (2024) |
Miriam Chusid |
Art History, Japanese |
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How to Wrap a Colonizer (2024) |
Jennifer Baez |
Art, Caribbean, Diaspora Studies, Feminist Theory, Gender, Indigenous, Visual Culture |
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“Digital to Physical Medical Modeling: Industrial Design Activities in Support of a Limb Cooling Medical Device” (2023) |
Jason O. Germany |
Industrial Design |
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Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast (2023) |
Kathryn Bunn-Marcuse |
American Indian/Native American, Art, Canadian, First Nations, Material Culture, Museum Studies/Museology, Visual Arts |
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“Bespoke and Repetitive: Converging Technologies inthe Design of Custom Products” (2022) |
Jason O. Germany |
Industrial Design |
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Field Notes: Nguyễn Trinh Thi and ikkibawiKrrr, Documenta 15 (2022) |
Inji Kim |
21st Century, Art History |
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Naiza Khan's Cage Corset and New Clothes for the Emperor (2022) |
Ananya Sikand |
Art History, Contemporary, South Asian |
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Chila Kumari Singh Burman's Kali (I’m a Mess) (2022) |
Ananya Sikand |
Art History, Contemporary, South Asian |
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Core77 International Design Award 2021, “Runner Up - 2nd Place” – Commercial EquipmentWorldVent Ventillator, Lead designer (2021) |
Jason O. Germany |
Industrial Design |
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IDSA - International Design Excellence Award (IDEA) 2021, “Gold ” – Medical & HealthWorldVent Ventillator, Lead designer (2021) |
Jason O. Germany |
Industrial Design |
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Anacaona Writes Back: The Columbus Monument in Santo Domingo as a Site of Erasures (2021) |
Jennifer Baez |
19th Century, Art History, Caribbean, Diaspora Studies |
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Modeling Black Piety and Community Membership in the Virgin of Altagracia Medallions (2021) |
Jennifer Baez |
18th Century, Art History, Caribbean, Diaspora Studies |
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Mediating Salvation in Premodern Japanese Hell Paintings (2021) |
Miriam Chusid |
Art History, East Asian, Japanese, Painting |
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Tools and Implements: When Function Becomes Form (2021) |
Whitney Lynn |
Interdisciplinary Visual Art, Public Art |
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“A Place so Far Removed”: Dynasty and Ritual in Monuments from Chinkultic, Chiapas, Mexico (2020) |
Caitlin Earley |
Ancient, Art History, Latin American, Sculpture |
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Catalog of Mondrian y De Stijl (2020) |
Marek Wieczorek |
20th Century |
