Submitted by Jeanette Mills on

About

MONDAY is a limited-edition journal focused on critical art writing in the Pacific Northwest. Published twice a year by the Jacob Lawrence Gallery at the University of Washington School of Art + Art History + Design, it is a platform to support emerging and established critical voices and to help spur new ideas.

Each volume of MONDAY is thematically driven, highlighting artists’ writings alongside other diverse perspectives on a particular topic. The title of this volume is Études. There are 250 bound copies.

Table of Contents

  • Introduction
  • György Ligeti, Désordre
  • David Golightly, Haunting Death: Reflections on Ligeti's Études pour piano, Vol. 1
  • György Ligeti, On My Études for Piano; translated by Sid McLauchlan
  • Nina Power, Woman Machines: The Future of Female Noise
  • Claire Cowie, After Genesis
  • Fred Moten, Sound in Florescence: Cecil Taylor Floating Garden
  • Ellen Garvens, Strings Attached
  • Charles Stobbs, The Estimated Mass of Theatre Lights in a Hollow Bar
  • Sonny Assu Interviewed by Gloria de Liberali
  • Kathryn Bunn-Marcuse, Textualizing Intangible Cultural Heritage: Querying the Methods of Art History
  • Leah St. Lawrence, Digitization and Personal Trauma: Processing Stress and Loss Through New Media Expressions
  • Sean Lockwood, Occupational Noise Thermometer Poster with Fold Lines
  • Judy Twedt: Reflections on Composing and Performing Climate Data; interviewed by Kristina Lee
  • Clotilde Jiménez Interviewed by Emily Zimmerman
  • Stuart Dempster, Deep Listening Extreme Slow Walk Equivalency (2006–2007), Dedicated to Pauline Oliveros
  • Emma McIntosh, Worried Notes and Troubled Light: Music and Hegel in Mondrian's Aesthetic Philosophy
  • SassyBlack, Lyrics from Worthy, from the album New Black Swing

Copies

Volume 3 of of MONDAY is no longer available for purchase online. A limited number of free copies can be picked up in the Jacob Lawrence Gallery, while supplies last. Please email the gallery to inquire about inventory availability. 
 

Go to Jacob Lawrence Gallery — Journal webpage.