Latest News
- RRF Scholar Award for Khullar (September 8, 2017)
Related Research
- Tankha, Akshaya. “Akshaya Tankha. Review of ‘Adivasi Art and Activism: Curation in a Nationalist Age’ by Alice Tilche.” CAA.Reviews (New York, N.Y.), 2025. doi:10.3202/caa.reviews.2025.39.
- Tankha, Akshaya. “The Houseness of the Naga House Museum: Towards a Narrative of the Postcolonial South Asian House Museum.” South Asia 47, no. 1 (2024): 133–58. doi:10.1080/00856401.2024.2315805.
- Akshaya Tankha. “Monuments, Temporality, and the Aesthetics of Indigenous Presence in Postcolonial South Asia.” 21: inquiries into art, history, and the visual (Online) 5, no. 1 (2024). doi:10.11588/xxi.2024.1.102978.
- Tankha, Akshaya. “Partisan Aesthetics: Modern Art and India’s Long Decolonization By Sanjukta Sunderason. Stanford, Calif.: Stanford University Press, 2020. ISBN: 9781503611948 (Cloth).” The Journal of Asian Studies. New York, USA: Cambridge University Press, 2022. doi:10.1017/S0021911822000912.
- Sonal Khullar. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930-1990. Oakland: University of California Press, 2015.
- Sonal Khullar. "Modernism: India," Encyclopedia of Aesthetics, vol. 4, ed. Michael Kelly. New York: Oxford University Press, 2014, pp. 391-395.
- Dana Garvey. "Edwin Lord Weeks: An American Artist in North Africa and South Asia." PhD Dissertation, University of Washington, 2013.
- Sonal Khullar. "National Tradition and Modernist Art," in The Cambridge Companion to Modern Indian Culture, eds. Vasudha Dalmia and Rashmi Sadana. Cambridge and New York: Cambridge University Press, 2012, pp. 163-182.
- Akshaya Tankha, "Early Precedents: Ethnographic Photography in Mumbai, 1855-70," in Mitter, Partha, and Tasneem Zakaria Mehta ed. The Artful Pose : Early Studio Photography in Mumbai, c.1855-1940. Ahmedabad: Mapin, 2010, pp. 26-41. http://hdl.library.upenn.edu/1017.12/366303.