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People
Margaret M Barnes
MA student, Art History
Giordano Conticelli
PhD student, Art History
Morten Steen Hansen
Assistant Teaching Professor, Art History
Kris Kryscynki
PhD student, Art History
Stuart Lingo
Professor, Art History, Donald E. Petersen Endowed Professor
Nicolas Staley
PhD Candidate, Art History, School alum
Kira Sue
MA student, Art History, School Alum
News
Active Art History Graduate Students
-
Jun 20, 2016
Art History: 4 PhDs + 1 MA
-
Jun 2, 2016
Research
Graduate
,
Dissertations
Or Vallah. "(Dis)ability and the Making of the Early Modern Artist." PhD Dissertation, University of Washington, in progress.
Alexis Ruth Culotta. ""Finding Rome in Rome": Reexamining Raphael’s Transformation Through His Roles at the Villa Farnesina." PhD Dissertation, University of Washington, 2014.
Daniele di Lodovico. “Revising Devotion: The Role of Wooden Sculptures in Affecting Painting and Devotion in the Late Medieval Period in Italy (XII-XV century).” PhD Dissertation, University of Washington, 2016.
Gloria de Liberali. "Lorenzo Costa’s
Triumphs
in the Bentivoglio Chapel. Spiritual Salvation and Artistic Invention in Renaissance Bologna." PhD Dissertation, University of Washington, 2021.
Graduate
,
Masters Theses
Erin Giffin. "Nicolas Cordier's
Il Moro
: the African as "Christian Antiquity" in Early Modern Rome." MA Thesis, University of Washington, 2012.
Jena Mayer. "Francesco Furini: 'Paintings of Exceeding Beauty' in Seicento Florence." MA Thesis, University of Washington, 2016.
Karen Lark. "Bernini's
Blessed Ludovica Albertoni
: Drapery and the Permeability of the Body." MA Thesis, University of Washington, 2020.
Katherine Coty. "A Dream of Etruria: the Sacro Bosco of Bomarzo and the Alternate Antiquity of Alto Lazio." MA Thesis, University of Washington, 2013.
Krista Schoening. "Looking at Jacopo Ligozzi’s
Daphne laureola
in Three Ways." MA Thesis, University of Washington, 2019.
Lane Eagles. "Objects of Heaven and Earth: Thaumaturgy & Representation in Quattrocento Italy." MA Thesis, University of Washington, 2013.
Publications
,
Books
Estelle Lingo.
Mochi's Edge and Bernini's Baroque.
London and Turnhout: Harvey Miller/Brepols, 2017.
Publications
,
Book Chapters
Estelle Lingo. “Sculptural Novelty and the Florentine Tradition: Francesco Mochi’s Orvieto
Annunciation
,” in
Novità—das “Neue” in der Kunst um 1600: Theorien, Mythen, Praktiken
, ed. Ulrich Pfisterer and Gabriele Wimböck. Berlin: Diaphanes, 2011, 211-37.
“Federico Barocci, History, and the Body of Art” in
Rethinking Art After Trent
, ed. Jesse Locker. London and New York: Routledge, 2019.
Publications
,
Articles
Estelle Lingo. “The Evolution of Michelangelo’s Magnifici Tomb: Program versus Process in the Iconography of the Medici Chapel,”
Artibus et Historiae
35 (1997): 91-100.
Stuart Lingo. “Looking Askance: Machiavelli, the Burlesque, and Bronzino’s
Martyrdom of San Lorenzo
,”
Rivista di letterature moderne e comparate
, 68.3 (July-September, 2015): 217-242.
Conference Papers
Or Vallah. "Nanni di Banco’s
Assumption of the Virgin
relief and its lost silk girdle." Presented at the Annual Meeting of The Renaissance Society of America, New Orleans, 2018.
"’Morto per l'arte:’ Early Modern Artists as Enabled Makers,”
What's New About Renaissance Florence?
RSA, Online, December 1, 2022.
Articles
“Michelangelo’s Minerva Christ. The Medieval Man of Sorrows and Eucharistic Piety in the Early Sixteenth Century,”
The
Sixteenth Century Journal
(accepted on 7/26/2019; expected: 2021).
“The Madonna del Baraccano. Restoring a Marian image in Early Modern Bologna,” in
Madonne. Reframing Images of Mary in Early Modern Spaces
, Sacrima Series, III (Brepols; expected: 2021).
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