Related Faculty
Lecturer, Art History
Professor, Art History
Donald E. Petersen Endowed Professor
Latest News
- Art History at RSA in Chicago (March 17, 2017)
- Faculty Hires in 2016 (May 9, 2016)
Related Research
- Vallah, Or. "Artmaking as Embodied Knowledge Shaped by Disability: The Case of Hendrick Goltzius." Renaissance Quarterly, Volume 78, Issue 3, Fall 2025, 683 - 731, 2025. Doi: https://doi.org/10.1017/RQX.2025.10276
- Vallah, Or. “(Dis)ability and the Making of the Early Modern Artist.” PhD diss., The University of Washington, 2025. ProQuest (28453).
- “The Madonna del Baraccano. Restoring a Marian image in Early Modern Bologna,” in Madonne. Reframing Images of Mary in Early Modern Spaces, Sacrima Series, III (Brepols; expected: 2021).
- Caroline Harvey. "Replications and Reconciliataions of the Borghese Sleeping Hermaphrodite." MA Thesis, University of Washington, 2020.
- Estelle Lingo. “Impossible Apostles: Francesco Mochi’s Sts. Peter and Paul for S. Paolo fuori le Mura,” in Tradition and Innovation: Critical Perspectives on Early Modern Roman Sculpture, ed. Anthony Colantuono and Steven Ostrow. University Park: Penn State University Press, 2014, 63-85.
- Estelle Lingo. “Putting a finger on it: Bellori and Sculpture Criticism,” in Bellori’s Terminology: Tradition, Construction, and Usage in his Lives and Art Literature in the Early Modern Period, ed. Elisabeth Oy-Marra. Wiesbaden: Harrassowitz, 2014, 173-86.
- Estelle Lingo. “Francesco Mochi’s Balancing Act and the Prehistory of Bernini’s Four Rivers Fountain,” in Matters of Weight: Force, Gravity and Aesthetics in the Early Modern Period, ed. David Kim. Berlin: Edition Imorde, 2013, 129-50.
- Victoria Wilmes. "The Chapel of the Madonna della Strada: A Case Study of Post-Tridentine Painting in Rome." MA Thesis, University of Washington, 2012.
- Estelle Lingo. “Beyond the Fold: Drapery in Seventeenth-Century Sculptural Practice and Criticism,” in Unfolding the Textile Medium in Early Modern Art and Literature, ed. Tristan Weddigen. Textile Studies, vol. 3. Berlin: Edition Imorde/Gebr. Mann Verlag, 2011, 121-29.