Related Faculty
Assistant Professor, Art History
Kollar Endowed Chair in American Art
Latest News
- Kollar Lecture in American Art: Jennifer Greenhill (January 23, 2024)
- Redefining American (Art) History (March 16, 2023)
- The Art of Founders Hall (March 6, 2023)
- Boettcher is New BMA Director (October 3, 2017)
- Faculty Candidate Lectures (January 23, 2017)
Related Research
- Juliet Sperling. "Unfolding the Metamorphosis: Constructing Tactile Visuality in Early National America." Forthcoming in American Art 35.1: (Spring 2021).
- “Songs of the War: Homer’s Print, National Identity, and Musical Gallantry” at 19th International Conference of Association Répertoire International d’Iconographie Musicale: “Belonging and Detachment: Representing Musical Identity inVisual Culture”, University of Tasmania (13-15 November 2019)
- Juliet Sperling. "Image." Early American Studies: An Interdisciplinary Journal, special "Keywords in Early American Material Texts" issue, vol. 16, no. 4 (2018). 683-690.
- Anna Wager. "Kindred Spirits: Communal Making and Religious Revival in Arts and Crafts Movements, 1870-1920." PhD Dissertation, University of Washington, 2018.
- Lacey Baradel, "Mobility for the Masses: The Reception of Thomas Hovenden's Breaking Home Ties," Archives of American Art Journal 51, no. 1 (Spring 2017): 4-23.
- Adair Rounthwaite. Asking the Audience: Participatory Art in 1980s New York. Minneapolis: University of Minnesota Press, 2017.
- Jennifer R. Henneman. "Her Representation Precedes Her: Transatlantic Celebrity, Portraiture, and Visual Culture, 1865-1890." PhD Dissertation, University of Washington, 2016.
- Lauren Palmor. “Shadows and Light: Seeing Senescence in British and American Genre Painting, ca. 1850-1910.” PhD Dissertation, University of Washington, 2016.
- Kimberly Hereford. "Sleep, Sickness, and Spirituality: Altered States and Victorian Visions of Femininity in British and American Art, 1850-1915." PhD Dissertation, University of Washington, 2015.
- Lacey Baradel, "Geographic Mobility and Domesticity in Eastman Johnson's The Tramp," American Art 28, no. 2 (Summer 2014): 26-49.