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- Art History at RSA in Chicago (March 17, 2017)
Related Research
- Caroline Harvey. "Replications and Reconciliataions of the Borghese Sleeping Hermaphrodite." MA Thesis, University of Washington, 2020.
- Karen Lark. "Bernini's Blessed Ludovica Albertoni: Drapery and the Permeability of the Body." MA Thesis, University of Washington, 2020.
- “Passeri’s Prologue, the Paragone, and the Hardness of Sculpture’s Perfection,” in Perfection: The Evolving Essence of Art and Architecture in Early Modern Europe, ed. Lorenzo Pericolo and Elisabeth Oy-Marra. London and Turnhout: Harvey Miller/Brepols, 2019, 261-73.
- “Luke, Lena, and the Chiaroscuro of the Sacred: Caravaggio’s Madonna di Loreto,” RES: Anthropology and Aesthetics 71-72 (2019): 162-77.
- Co-organizer, with Lorenzo Pericolo, Baroque to Neo-Baroque: Curves of an Art Historical Concept, international conference jointly sponsored by the Kunsthistorisches Institut in Florenz/Max-Planck-Institut and the Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Florence, June 3-5, 2019.
- “Sculpture, Rupture, and the Baroque,” in After Trent: Rethinking Global Art around 1600, ed. Jesse Locker. New York: Routledge, 2018, 33-46.
- “Drapery,” in Textile Terms: A Glossary, ed. Tristan Weddigen et al. Textile Studies 0. Berlin: Edition Imorde, 2017, 80-84.
- Barbara Budnick. "The Lay of the Land: English Landscape Themes in Early Modern Painting in England." PhD Dissertation, University of Washington, 2017.
- Estelle Lingo. Mochi's Edge and Bernini's Baroque. London and Turnhout: Harvey Miller/Brepols, 2017.
- Jena Mayer. "Francesco Furini: 'Paintings of Exceeding Beauty' in Seicento Florence." MA Thesis, University of Washington, 2016.