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Home
17th Century
All content tagged with this term:
News
Art History at RSA in Chicago
-
Mar 17, 2017
Research
Graduate
,
Dissertations
Barbara Budnick. "The Lay of the Land: English Landscape Themes in Early Modern Painting in England." PhD Dissertation, University of Washington, 2017.
Graduate
,
Masters Theses
Caroline Harvey. "Replications and Reconciliataions of the Borghese
Sleeping Hermaphrodite
." MA Thesis, University of Washington, 2020.
Erin Giffin. "Nicolas Cordier's
Il Moro
: the African as "Christian Antiquity" in Early Modern Rome." MA Thesis, University of Washington, 2012.
Jena Mayer. "Francesco Furini: 'Paintings of Exceeding Beauty' in Seicento Florence." MA Thesis, University of Washington, 2016.
Karen Lark. "Bernini's
Blessed Ludovica Albertoni
: Drapery and the Permeability of the Body." MA Thesis, University of Washington, 2020.
Conference Papers
Co-organizer, with Lorenzo Pericolo,
Baroque to Neo-Baroque: Curves of an Art Historical Concept,
international conference jointly sponsored by the Kunsthistorisches Institut in Florenz/Max-Planck-Institut and the Bibliotheca Hertziana/Max-Planck-Institut für Kunstgeschichte, Florence, June 3-5, 2019.
Publications
,
Books
Estelle Lingo.
Mochi's Edge and Bernini's Baroque.
London and Turnhout: Harvey Miller/Brepols, 2017.
Publications
,
Book Chapters
Estelle Lingo. “Beyond the Fold: Drapery in Seventeenth-Century Sculptural Practice and Criticism,” in
Unfolding the Textile Medium in Early Modern Art and Literature
, ed. Tristan Weddigen.
Textile Studies
, vol. 3. Berlin: Edition Imorde/Gebr. Mann Verlag, 2011, 121-29.
“Federico Barocci, History, and the Body of Art” in
Rethinking Art After Trent
, ed. Jesse Locker. London and New York: Routledge, 2019.
“Sculpture, Rupture, and the Baroque,” in
After Trent: Rethinking Global Art around 1600,
ed. Jesse Locker. New York: Routledge, 2018, 33-46.
Publications
,
Articles
“Drapery,” in
Textile Terms: A Glossary,
ed. Tristan Weddigen et al.
Textile Studies
0. Berlin: Edition Imorde, 2017, 80-84.
“Luke, Lena, and the Chiaroscuro of the Sacred: Caravaggio’s
Madonna di Loreto
,”
RES: Anthropology and Aesthetics
71-72 (2019): 162-77.
“Passeri’s Prologue, the
Paragone,
and the Hardness of Sculpture’s Perfection,” in
Perfection: The Evolving Essence of Art and Architecture in Early Modern Europe,
ed. Lorenzo Pericolo and Elisabeth Oy-Marra. London and Turnhout: Harvey Miller/Brepols, 2019, 261-73.
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