(balancing one’s own weight in a shadow of antithetical sides) by Paul Baughman

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“Passeri’s Prologue, the Paragone, and the Hardness of Sculpture’s Perfection.”

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“Passeri’s Prologue, the Paragone, and the Hardness of Sculpture’s Perfection,” in Perfection: The Evolving Essence of Art and Architecture in Early Modern Europe, ed. Lorenzo Pericolo and Elisabeth Oy-Marra. London and Turnhout: Harvey Miller/Brepols, 2019, 261-73. 
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