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How to Wrap a Colonizer (2024) |
Jennifer Baez |
Art, Caribbean, Diaspora Studies, Feminist Theory, Gender, Indigenous, Visual Culture |
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Mediating Salvation in Premodern Japanese Hell Paintings (2021) |
Miriam Chusid |
Art History, East Asian, Japanese, Painting |
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L’Aubette (2019) |
Marek Wieczorek |
20th Century |
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“Sculpture, Rupture, and the Baroque.” (2018) |
Estelle Lingo |
17th Century |
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Streams of Tourists: Navigating the Tourist Tides in late 19th Century SE Alaska (2017) |
Kathryn Bunn-Marcuse |
19th Century, American Indian/Native American, Indigenous, Pacific Northwest, Visual Arts |
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Assembly, Space and Things: Urban Food Genome, Urban Interaction, and Bike Share (2017) |
Jason O. Germany |
Design, Human-computer Interaction, Interaction Design |
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Parallel Tracks: Pan Yuliang and Amrita Sher-Gil in Paris (2017) |
Sonal Khullar |
20th Century, Art History |
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Chrysepes Stichourgia: The Byzantine Epigram as Aesthetic Object (2016) |
Ivan Drpić |
Art History, Byzantine |
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The Pre-Raphaelization of the Modern Literary Heroine (2014) |
Susan Casteras |
19th Century, Art History, Gender, Victorian |
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La Samaritaine, l'Art Nouveau, et l'émergence de l'architecture moderne (2014) |
Meredith Clausen |
Architecture, Art History |
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Ananda Kentish Coomaraswamy (2014) |
Sonal Khullar |
Art History |
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Modernism: India (2014) |
Sonal Khullar |
Art History, Indian, Modernism |
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Impossible Apostles: Francesco Mochi’s Sts. Peter and Paul for S. Paolo fuori le Mura (2014) |
Estelle Lingo |
Art History, Early Modern, Sculpture |
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Putting a finger on it: Bellori and Sculpture Criticism (2014) |
Estelle Lingo |
Art History, Early Modern |
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China's first empire? Interpreting the material record of the Erligang expansion (2014) |
Haicheng Wang |
Art History, Chinese |
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Abstraction—The Contemporary Perspective (2014) |
Marek Wieczorek |
Abstract Art, Art History, Contemporary |
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Piet Mondrian's Studio Utopia, 26, rue du Départ (2014) |
Marek Wieczorek |
Art History |
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In the Spirit of the Ancestors: Contemporary Northwest Coast Art at the Burke Museum (2013) |
Kathryn Bunn-Marcuse, Robin K. Wright |
American Indian/Native American, First Nations |
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From Thackeray to Stowe: British Constructions of Slavery during the American Civil War (2013) |
Susan Casteras |
19th Century, American, Art History, British |
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Aesthetes on Display: 'Not Masculine and Progressive but Reclusive and Retrospective (2013) |
Susan Casteras |
Art History, Gender |
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Looking Back: Mochi and Borromini at S. Giovanni dei Fiorentini (2013) |
Estelle Lingo |
Art History, Renaissance |
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Francesco Mochi’s Balancing Act and the Prehistory of Bernini’s Four Rivers Fountain (2013) |
Estelle Lingo |
Art History, Early Modern |
