Table of Contents

• Introduction György Ligeti, Désordre
• David Golightly, Haunting Death: Reflections on Ligeti's Études pour piano, Vol. 1
• György Ligeti, On My Études for Piano; translated by Sid McLauchlan
• Nina Power, Woman Machines: The Future of Female Noise
• Claire Cowie, After Genesis
• Fred Moten, Sound in Florescence: Cecil Taylor Floating Garden
• Ellen Garvens, Strings Attached
• Charles Stobbs, The Estimated Mass of Theatre Lights in a Hollow Bar
• Sonny Assu Interviewed by Gloria de Liberali
• Kathryn Bunn-Marcuse, Textualizing Intangible Cultural Heritage: Querying the Methods of Art History
• Leah St. Lawrence, Digitization and Personal Trauma: Processing Stress and Loss Through New Media Expressions
• Sean Lockwood, Occupational Noise Thermometer Poster with Fold Lines
• Judy Twedt: Reflections on Composing and Performing Climate Data; interviewed by Kristina Lee
• Clotilde Jiménez Interviewed by Emily Zimmerman
• Stuart Dempster, Deep Listening Extreme Slow Walk Equivalency (2006–2007), Dedicated to Pauline Oliveros
• Emma McIntosh, Worried Notes and Troubled Light: Music and Hegel in Mondrian's Aesthetic Philosophy
• SassyBlack, Lyrics from Worthy, from the album New Black Swing

Learn More

 You can find the original announcement here.
 See also the other volumes in the MONDAY journal series.

Get A Copy

Volume 3 of MONDAY is available in PDF format in the download button below. A limited number of free copies can be picked up in the Jacob Lawrence Gallery, while supplies last. Please email the gallery to inquire about inventory availability.