|
Constructing the Afterlife, Re-envisioning Salvation (2019) |
Miriam Chusid |
Art History, East Asian, Japanese, Medieval |
|
Amazon Catalyst Grant (Amazon Catalyst Fellow) – (2018 – 2019)“A Feedback Controlled Pressure Monitoring System for Limb-Stabilizing Medical AirSplints”Amount: $10,000Role: Principle investigator (2019) |
Jason O. Germany |
Design, Industrial Design |
|
Form Follows Story: An Approach to Designing for Commercial Space Travel (2019) |
Jason O. Germany |
Design, Industrial Design |
|
Eliciting Public Display Awareness and Engagement: An Experimental Study and Semantic Strategy (2019) |
Jason O. Germany |
Design, Industrial Design |
|
ListeningCups: A Case of Data Tactility (2019) |
Audrey Desjardins, Timea Tihanyi |
Design, Human-computer Interaction, Interaction Design |
|
REP(AIR): An Olfactory Interface for Bike Maintenance and Care (2019) |
Audrey Desjardins |
Design, User Experience Design |
|
Autoethnography of a Hard of Hearing Traveler (2019) |
Audrey Desjardins |
Design, Human-computer Interaction |
|
Bespoke Booklets: A Method for Situated Co-Speculation (2019) |
Audrey Desjardins |
Critical Theory, Design, Interaction Design, User Experience Design |
|
These artists want to draw the Chinese railroad workers back into history (2019) |
Zhi Lin |
Painting |
|
Citizen Action: Political Performance After Yugoslavia (2019) |
Adair Rounthwaite |
21st Century, Art History, Performance Art |
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Alternative Avenues for IoT: Designing with Non-Stereotypical Homes (2019) |
Audrey Desjardins |
Design, Human-computer Interaction, Interaction Design |
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"Worried Notes and Troubled Light: Music and Hegel in Mondrian's Aesthetic Philosophy" (2019) |
Emma McIntosh |
20th Century, Abstract Art, Art History, Modernism, Sound Art |
|
Image (2018) |
Juliet Sperling |
18th Century, 19th Century, American, Art History, Illustration |
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'We Were Looking for Our Violins:' The Bombay Painters and Poets, ca. 1965-1976 (2018) |
Sonal Khullar |
Art History, South Asian |
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Almora Dreams: Art and Life at the Uday Shankar India Cultural Centre, 1939-1944 (2018) |
Sonal Khullar |
Art History, South Asian |
|
Zhi Lin Excavates a Strenuous History (2018) |
Zhi Lin |
Installation, Painting |
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Lazy Objects: Viewing Mladen Stilinović's Exploitation of the Dead (2018) |
Adair Rounthwaite |
20th Century, Art History |
|
Textualizing Intangible Cultural Heritage: Querying the Methods of Art History (2018) |
Kathryn Bunn-Marcuse |
American Indian/Native American, Art History, Canadian, Digital Humanities, Indigenous, Museum Studies/Museology, Pacific Northwest |
|
Honoring 50 Years of UW's Office of Minority Affairs & Diversity (2018) |
Kristine Matthews |
Design, Visual Communication Design |
|
Transdisciplinary Coursework in Entrepreneurship: Challenges and Opportunities (2017) |
Jason O. Germany |
Design, Industrial Design |
|
Everyday Partitions: My East is Your West (2015) and This Night-Bitten Dawn (2016) (2017) |
Sonal Khullar |
Art History |
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"Drapery." (2017) |
Estelle Lingo |
16th Century, 17th Century, 18th Century, 19th Century, 20th Century |
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Perspectives on Typeface Design (2017) |
Karen Cheng |
Design, Typography, Visual Communication Design |
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Proving the Value of Visual Design in Scientific Communication (2017) |
Karen Cheng |
Information Design, Visual Communication Design |
|
Mobility for the Masses (2017) |
Lacey Baradel |
19th Century, American |