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REP(AIR): An Olfactory Interface for Bike Maintenance and Care (2019) |
Audrey Desjardins |
Design, User Experience Design |
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Autoethnography of a Hard of Hearing Traveler (2019) |
Audrey Desjardins |
Design, Human-computer Interaction |
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Bespoke Booklets: A Method for Situated Co-Speculation (2019) |
Audrey Desjardins |
Critical Theory, Design, Interaction Design, User Experience Design |
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These artists want to draw the Chinese railroad workers back into history (2019) |
Zhi Lin |
Painting |
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Citizen Action: Political Performance After Yugoslavia (2019) |
Adair Rounthwaite |
21st Century, Art History, Performance Art |
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Alternative Avenues for IoT: Designing with Non-Stereotypical Homes (2019) |
Audrey Desjardins |
Design, Human-computer Interaction, Interaction Design |
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"Worried Notes and Troubled Light: Music and Hegel in Mondrian's Aesthetic Philosophy" (2019) |
Emma McIntosh |
20th Century, Abstract Art, Art History, Modernism, Sound Art |
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Image (2018) |
Juliet Sperling |
18th Century, 19th Century, American, Art History, Illustration |
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'We Were Looking for Our Violins:' The Bombay Painters and Poets, ca. 1965-1976 (2018) |
Sonal Khullar |
Art History, South Asian |
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Almora Dreams: Art and Life at the Uday Shankar India Cultural Centre, 1939-1944 (2018) |
Sonal Khullar |
Art History, South Asian |
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Zhi Lin Excavates a Strenuous History (2018) |
Zhi Lin |
Installation, Painting |
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Lazy Objects: Viewing Mladen Stilinović's Exploitation of the Dead (2018) |
Adair Rounthwaite |
20th Century, Art History |
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Textualizing Intangible Cultural Heritage: Querying the Methods of Art History (2018) |
Kathryn Bunn-Marcuse |
American Indian/Native American, Art History, Canadian, Digital Humanities, Indigenous, Museum Studies/Museology, Pacific Northwest |
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Honoring 50 Years of UW's Office of Minority Affairs & Diversity (2018) |
Kristine Matthews |
Design, Visual Communication Design |
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Transdisciplinary Coursework in Entrepreneurship: Challenges and Opportunities (2017) |
Jason O. Germany |
Design, Industrial Design |
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Everyday Partitions: My East is Your West (2015) and This Night-Bitten Dawn (2016) (2017) |
Sonal Khullar |
Art History |
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"Drapery." (2017) |
Estelle Lingo |
16th Century, 17th Century, 18th Century, 19th Century, 20th Century |
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Perspectives on Typeface Design (2017) |
Karen Cheng |
Design, Typography, Visual Communication Design |
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Proving the Value of Visual Design in Scientific Communication (2017) |
Karen Cheng |
Information Design, Visual Communication Design |
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Mobility for the Masses (2017) |
Lacey Baradel |
19th Century, American |
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Sea Change: George Keyt’s Murals at Gotami Vihara, 1939-1940 (2017) |
Sonal Khullar |
20th Century, Art History, South Asian |
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Ad Hoc Pairings: Semantic Relationships and Mobile Devices (2016) |
Jason O. Germany |
Design, Industrial Design |
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Biblical Temptresses in Neon (2016) |
Whitney Lynn |
Interdisciplinary Visual Art |
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How to Survive Critique, Part 2 (2016) |
Karen Cheng |
Design |
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Poverty, Inequality, and the Seattle Minimum Wage Experiment (2016) |
Karen Cheng, Chad P. Hall |
Design, Information Design, Visual Communication Design |
