|
Mobility for the Masses (2017) |
Lacey Baradel |
19th Century, American |
|
Sea Change: George Keyt’s Murals at Gotami Vihara, 1939-1940 (2017) |
Sonal Khullar |
20th Century, Art History, South Asian |
|
Ad Hoc Pairings: Semantic Relationships and Mobile Devices (2016) |
Jason O. Germany |
Design, Industrial Design |
|
Biblical Temptresses in Neon (2016) |
Whitney Lynn |
Interdisciplinary Visual Art |
|
How to Survive Critique, Part 2 (2016) |
Karen Cheng |
Design |
|
Poverty, Inequality, and the Seattle Minimum Wage Experiment (2016) |
Karen Cheng, Chad P. Hall |
Design, Information Design, Visual Communication Design |
|
Is Good Design a Result of Science, or an Evolution of Ideas? (2016) |
Axel Roesler |
Design, Interaction Design |
|
Living In A Prototype: A Reconfigured Space (2016) |
Audrey Desjardins |
Design, Human-computer Interaction, Interaction Design |
|
Behind the Lens: A Visual Exploration of Epistemological Commitments in HCI Research on the Home (2016) |
Audrey Desjardins |
Design, Human-computer Interaction, Interaction Design |
|
Avalanche Beacon Parks: Skill Development and Team Coordination in a Technological Training Ground (2016) |
Audrey Desjardins |
Design, Human-computer Interaction, Interaction Design |
|
Surreptitious Communication Design (2016) |
Tad Hirsch |
Design, Social Practice |
|
Agnolo Bronzino’s Pygmalion and the Statue and the Dawn of Art (2016) |
Stuart Lingo |
16th Century, Art History |
|
Device Relationships: The Social Attributes of Ad Hoc Mobile Devices (2015) |
Jason O. Germany |
Design, Industrial Design |
|
An Extraordinary Studio Artist in a Post-Studio Era (2015) |
Ann Gale |
Drawing, Painting |
|
Where Does the Money Go? Two Visualizations of City of Seattle Data (2015) |
Karen Cheng, Catherine Lim |
Design, Information Design, Visual Communication Design |
|
Food Waste in America: Visualizing the Numbers (2015) |
Karen Cheng |
Information Design, Visual Communication Design |
|
Infographics And Public Policy: Using Data Visualization To Convey Complex Information (2015) |
Karen Cheng |
Design, Information Design, Visual Communication Design |
|
Map Design for Complex Architecture (2014) |
Karen Cheng |
Design, Information Design, Visual Communication Design |
|
Eastman Johnson's The Tramp (2014) |
Lacey Baradel |
19th Century, American |
|
Graves's Portland Building: Power, Politics, and Postmodernism (2014) |
Meredith Clausen |
Architecture, Art History |
|
The Patron's 'I': Art, Selfhood, and the Later Byzantine Dedicatory Epigram (2014) |
Ivan Drpić |
Art History, Byzantine |
|
Sanja Iveković, Marina Abramović, and the Global Politics of Authentic Experience (2014) |
Adair Rounthwaite |
Art History |
|
In, Around, and Afterthoughts (On Participation): Photography and Agency in Martha Rosler’s Collaboration with Homeward Bound (2014) |
Adair Rounthwaite |
Art History, Photography |
|
Painter as Scribe: Artistic Identity and the Arts of Graphē in Late Byzantium (2013) |
Ivan Drpić |
Art History, Byzantine |
|
The Serres Icon of Saints Theodores (2012) |
Ivan Drpić |
Art History, Byzantine |