Art History 203 AH 203 Syllabus Summer 2017.docx
Survey of Western Art--Modern
Summer Quarter 2017
Instructor: Kolya Rice
Office hours: M/W 11:10-11:50 and by appointment
302 Art, email@example.com
This course introduces the major figures, styles and movements in Western art from the High Renaissance to the present. It also presents the principle issues, techniques, and interpretive methods of the discipline of art history. As well as learning to recognize the key “monuments” of European and American art from around 1500 to 1930, students will consider how a study of visual products adds to our understanding of past cultures and societies. Illustrated lectures anchor the course, but discussion is encouraged at all times, and sophisticated reading assignments will be provided to expand upon the text and lectures.
- Textbook: Marilyn Stokstad, Art History, 5th Edition, vol. 2 (2014)
- Electronic Reserve Readings (ER)
Helpful sources on 2hr reserve in Art library:
- Pierce, From Abacus to Zeus: A Handbook of Art History.
- Hall, Dictionary of Subjects and Symbols in Art.
- Barnet, A Short Guide to Writing about Art.
To help you prepare for exams, each Friday a selection of slides viewed in class during the week will be placed on electronic reserve. These slides will be accompanied with basic factual information (Artist, Title, Date).
- Active participation in all meetings. Please note, active participation assumes that you thoroughly read and think about course materials in advance of class meetings, that you meaningfully contribute to discussions, and that you complete any informal exercises assigned.
- 4-5 page essay
- Midterm Exam
- Final Exam
Note: make-up exams will not be given without legitimate documentation of severe illness, family emergencies, etc. Extensions for written work will be granted only under similar conditions. Late papers will not be accepted. All course requirements must be completed for credit to be awarded.
Midterm Exam (35%)
Final Exam (35%)
Art Review Essays (20%)
Key dates to remember:
7/21 Midterm exam
8/14 Essay due
8/16 Final exam
Course Outline and Reading Assignments
(Please have these assignments read by the date listed below.)
M 6/19 Introduction to Art History and the course
W 6/21 LG #1: The High Renaissance: Leonardo and Raphael
ER: H.W. Janson, History of Art (1995): #58, 59, 61, 66 (all readings
from H.W. Janson are individually numbered).
F 6/23- LG #2: Michelangelo
M 6/26 Stokstad: 643-652, 668-672
ER: A. Blunt, “Michelangelo’s Views on Art,” from Readings in Art History II (1983): 103-124.
ER: H.W. Janson, History of Art (1995): #60, 62, 63, 64, 65, 67.
W 6/28 - LG #3: Northern Italian Renaissance painting
F 6/30 Stokstad: 654-662
ER: J. Berger, Chapter 3 from Ways of Seeing (1972): 45-64.
M 7/3 LG #4: Mannerisms, 16th Century Venetian and Spanish painting
Stokstad: 662-78 & 694-697 (El Greco)
ER: H.W. Janson, History of Art (1995): #68.
W 7/5 Extended Independence Day Holiday—No Class
F 7/7 LG #5: The Northern Renaissance
Stokstad: 679-691 & 698-707
ER: H.W. Janson, History of Art (1995): #70, 71.
ER: B. Scribner, “Ways of Seeing in the Age of Dürer,” from Dürer and
His Culture (1998): 93-117, 221-24.
M 7/10- LG #7: Italian Baroque painting and sculpture
W 7/12 Stokstad: 713-730 (skim sections on architecture)
ER: H.W. Janson, History of Art (1995): #72.
F 7/14 LG #8: Baroque painting in France and Spain
Stokstad: 730-736, 760-765
ER: H.W. Janson, History of Art (1995): #76.
M 7/17 LG 9: Baroque painting in Flanders and Holland
ER: D. Mitchell, “Rembrandt’s The Anatomy Lesson of Dr. Tulp: a Sinner among the Righteous,” Artibus et Historiae (1994): 145-156.
W 7/19 Catch-up, discussion and review; each student must bring 3 questions
F 7/21 Midterm Exam in class
M 7/24 LG 10: Rococo Painting
W 7/26 LG 11: “The Grand Manner” in the U.S. and England
ER: H.W. Janson, History of Art (1995): #81.
F 7/28 LG 12: 19thC Representations of Native Americans and the West
ER: R. Hughes, excerpt from American Visions: The Epic History of Art
in America (1997): 175-205.
M 7/31 LG 13: Neoclassicism and Romanticism in France and Italy
W 8/2 French Romanticism continued
ER: Eugène Delacroix, excerpts from his Journals (1822-24 & 32) from
Art in Theory: 1815-1900 (1998): 26-30 & 84-89.
F 8/4 LG 14: Romanticism in England, Germany and Spain
Stokstad: 929-932, 934-51, 958 (Friedrich).
M 8/7 LG 15: 19thC French Academicism, Naturalism and Realism
Stokstad: 966-67, 972-976, 981-984
ER: L. Nochlin, “Women Art and Power,” from Women Art and Power
and Other Essays (1988): 1-36.
W 8/9- LG 16: Manet and Impressionism
F 8/11 Stokstad: 976-980, 987-99
M 8/14 Catch-up, discussion, and review: each student must bring 3 questions
Essay Due in Class and Upload to Canvas
W 8/16 Final Exam in class